Today is the 30th anniversary of the premiere of "Bear" by Stanislaw Bareja. Work like his creator scoffed at and not considered serious the strangely stood the test of time as opposed to others (especially early) films. Why is this movie for me is still a source of inspiration? Because it is timeless and strangely contemporary. It touches the heart of what was the first commune and what is the other - we contemporary. Mechanisms remain the same, and ways of thinking, too. And the fact that there are all sorts of smoke curtains blurring the picture is another matter. Sam Bareja masterfully used the number of smoke screens to even make this movie. Because to paraphrase the words of the film: "Why is this bear?" You may ask: "O What is this movie? "You can say: 'Well, nobody knows exactly, so no one will ask" - censorship asked, but apparently she did not know. And it is, what exactly is this movie? She was the wife of a cacique of the party, rascal, scoundrel, swindler and a thief is a much more powerful protector in the person of former Minister in the elderly - of course from the same stable. There is a problem both former spouses have a joint account in a London bank, which collect stolen money. The thing that money can pick the one who first reaches the bank. Start of the race to the bank cat in which all agents are allowed. This becomes the basis for pulling out the boxes in a passport, searching for a double, a desperate attempt to marry a woman with the same name. A smokescreen for a whole constitutes the entire pledge gags and subtexts, which usually draws viewer attention. Baroque design of the film censorship effectively put to sleep, which has only a few cuts and changes. Ochódzki Nowohudzki was called, instead of the words "They want to make me Filipskeigo" the hero says that Fronczewskiego, Cut scene cut Christmas trees, etc. completes the more frightening reality. In the film, they all lie, Every now and then there are suggestions that the country is under occupation, and dirty water taps flowing. But that's not all. In the film, it is important to the final scene, in which the author takes it all in parentheses. In a scene that one of the charcoal burners tells what it really is a tradition. He also says that what surrounds us it was just our everyday life. Bareja suggests to us that things can still go back to normal, because to them this world is more false and nutcase, the more they want. It is somewhere in the world of values. I that my job beyond the theft and the burgeoning most hypocritical film lends a timeless character and brings us closer to the present.
For the year 1931 - a round anniversary of the film's release.
PS.
- The site includes the National Film stills and photos from the plan. For each visit misiologa mandatory. http://fototeka.fn.org.pl/strona/wyszukiwarka.html?search_type=tytul&key=mi% C5% 9B
- And here http://www .filmpolski.pl/fp/index.php/12948 full Cast the movie cut together with the roles (eg rangers) and a database of all who, though a little contributed to the creation of our "epic."
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